1040: Story 1040: Dripping Moon 1040: Story 1040: Dripping Moon The moon had never looked right over the town of Corven Hollow.
It hung low, bloated and too close—so swollen that even the children whispered it looked like it might burst.
The sky around it remained perpetually cloudless, as if the stars were afraid to blink in its presence.
Locals called it the Dripping Moon.
And they meant it literally.
Every full moon, a clear, viscous liquid began to fall—not rain, not sap, but something far stranger.
It smelled of metal and old milk.
It stained rooftops, soaked into fields, and in time, warped everything it touched.
Elias Thorn, a botanist turned survivalist, kept records.
He lived alone in a decrepit cottage surrounded by wilted sunflowers and traps lined with salt.
He once taught college classes on fungal behavior.
Now he cataloged the “Moon Drip.”
He kept jars of the stuff—labeled, dated.
Some of it pulsed on its own, as if alive.
Some formed crude, translucent shapes when left too long: eyes, hands, grinning mouths with far too many teeth.
He swore the trees whispered under it.
Swore they grew nervous.
When the townsfolk began changing, Elias wasn’t surprised.
Children stopped sleeping.
They stared out windows all night, pale and smiling.
Their drawings were full of moons bleeding onto houses, turning people into worms.
The dogs all fled or died.
And when the mayor’s skin began flaking like old candle wax and his eyes wept silver, Elias knew it was time to burn the field.
But the fire wouldn’t catch.
Nothing burns under the Dripping Moon.
One night, it happened.
The moon split.
Just a crack.
A glistening line down its middle.
But from it poured a torrent—not water, not light—but something like a scream made liquid.
It painted the sky with glimmering threads of nightmare.
And the people changed completely.
Their bones softened.
Their shadows grew long and wrong.
They moved as though underwater, murmuring to each other in a language made of gurgles and clicks.
They called to Elias through his walls.
“Come see,” they sang.
“Come drink.”
He tried to run.
But the trees had moved.
The town had no end now—just more moonlight and spires of flesh growing where fences used to be.
He climbed the church tower to escape, the only place the Drip never touched.
There, through his binoculars, he saw what floated behind the cracked moon.
A shape.
A watcher.
A birthing thing.
It was hatching.
And Corven Hollow was its cradle.
Elias wrote one last note in his journal before sealing it in a glass jar and dropping it from the steeple:
“The moon is not a rock.
It is a womb.
We were never alone.
We were always the food.”
They say on cloudless nights, when the moon drips slow, you can still see Elias in the steeple window.
Mouth open.
Drinking the sky.